Stage Adventures

Stage Adventures Camps

The Sioux Empire Community Theatre is very proud to announce our Broadway Bound Musical Theatre Summer Camp Intensives for summer 2016.

The camps’ location will at to our home at The Historic Orpheum Theatre Center.

These camps are designed to take each actor and strengthen their abilities. It is not just about putting together a production. It is about creating well rounded young actors that are able to make more nuanced choices. They will engage in all manner of exercises to polish their craft. We explore acting, musical theatre, technical theatre, make up, costuming, prop making and dance.

Scholarships are available.  Click here to download the scholarship form.  All scholarship materials are due April 1 , 2017.

The Lion King Jr.

Location: Orpheum Theater Center
Hours: Mondays – Fridays 8:30 a.m. – 5:30 p.m.
Accepting: 1st – 8th graders
Rehearsal Dates: June 12 – 23, 2017 (5th – 8th graders), June 19 – 23, 2017 (1st – 4th graders)
Performances: June 23, 24 & 25, 2017

Fees: $400 (5th – 8th graders), $300 (1st – 4th graders)

RAFIKI gathers the ANIMALS of the Pridelands to welcome the newborn cub of King MUFASA and Queen SARABI (“Circle of Life with Nants’ Ingonyama”). The king’s jealous brother, SCAR, no longer heir to the throne, skips the ceremony, upsetting Mufasa. Time passes (“Grasslands Chant”) and YOUNG SIMBA grows into a curious young lion. Mufasa explains the circle of life and that Young Simba will one day be king of the Pridelands. Young Simba shares this news with Scar, who encourages his nephew to visit the forbidden Elephant Graveyard. Young Simba finds his best friend, YOUNG NALA, hunting with SARAFINA and the LIONESSES (“The Lioness Hunt”) and invites her on his adventure. Once they ditch their overbearing babysitter, ZAZU (“I Just Can’t Wait to Be King”), the cubs encounter the ravenous SHENZI, BANZAI and ED in the graveyard. Mufasa arrives and pummels the hyenas then takes the cubs home. Scar emerges from the darkness to recruit the HYENAS in his murderous plan to become king (“Be Prepared”). Back in the Pridelands, Mufasa reprimands Young Simba then shares the guidance of their ancestors, up among the stars (“They Live in You”). Enacting his plan, Scar leaves Young Simba alone in the gorge and signals the hyenas to scare a herd of wildebeest (“The Stampede”). Scar alerts Mufasa, who leaps into the stampede to save his son. Mufasa rescues Young Simba, but Scar pushes his brother back into the gorge, where he is trampled. Scar blames Young Simba for the king’s death and tells him to run away and never return. As Sarabi, Young Nala, Rafiki and the lionesses mourn the loss of Mufasa and Young Simba (“The Mourning”), Scar assumes the throne, uniting lions and hyenas under his dark reign. Lost in the desert, Young Simba meets TIMON and PUMBAA, who take him to their “worry-free” jungle home (“Hakuna Matata”). Under Scar’s reign, the Pridelands are nearly destroyed. Now grown, NALA decides to leave and seek help (“Shadowland”). To her delight, she finds SIMBA alive in the jungle (“Can You Feel the Love Tonight”). Nala urges him to take his rightful place as king but, still ashamed, Simba refuses. Rafiki appears and helps Simba remember his father (“He Lives in You”). With newfound courage, Simba agrees to return to the Pridelands. Timon and Pumbaa distract the hyenas (“Luau Hawaiian Treat”) while Nala rallies the lionesses. Simba confronts his uncle, the truth of Mufasa’s murder is revealed and Scar runs away, pursued by angry hyenas. With peace restored in the Pridelands, Simba takes his place as king and the circle of life continues (“Finale”).

Camp Rehearsals: June 12 – 23, 2017 (Mondays – Fridays 8:30 – 5:30)

Each student will receive:

  • A copy of the script to keep
  • Snacks each day
  • 2 tickets to use ay any of the performances
  • A commemorative t-shirt

If you have any questions please contact us at info@siouxfallstheatre.com. Click here to sign up now.

Young Frankenstein.

Location: Orpheum Theatre Center
Hours: Mondays – Fridays 8:30 a.m. – 5:30 p.m.
Accepting: 6th – 12th graders
Rehearsal Dates: August 7– August 18, 2017
Performances: August  18, 19, 20  at 7 p.m and Saturday August 19 @ 2pm.

Fees: $400

From the creators of the record-breaking Broadway sensation The Producers comes this monster new musical comedy. The comedy genius Mel Brooks adapts his legendarily funny film into a brilliant stage creation – Young Frankenstein! Grandson of the infamous Victor Frankenstein, Frederick Frankenstein (pronounced “Fronk-en-steen”) inherits his family’s estate in Transylvania. With the help of a hunchbacked side-kick, Igor (pronounced “Eye-gore”), and a leggy lab assistant, Inga (pronounced normally), Frederick finds himself in the mad scientist shoes of his ancestors. “It’s alive!” he exclaims as he brings to life a creature to rival his grandfather’s. Eventually, of course, the monster escapes and hilarity continuously abounds. Every bit as relevant to audience members who will remember the original as it will be to newcomers,Young Frankenstein is scientifically-proven, monstrously good entertainment

What will your young actor learn at camp?

They will be taken through all aspects of producing a theatrical show. Cast members will take part in, prop making, vocal production, movement, technical theatre, costume design, lighting design, scenic design, sound design, auditioning and many other theatrical fundamentals.  Your young actors will come out as stronger actor no matter their experience level, we focus on teaching the cast how to channel their passions and talents.

Each student will receive:

  • A copy of the script to keep
  • Snacks each day
  • 2 tickets to use at any of the performances
  • A commemorative t-shirt

If you have any questions please contact us at info@siouxfallstheatre.com. Click here to sign up now.

Auditions for Season 15

The Witches

August 29 and 30, 2017 at 7:00 pm.

Performance Dates: October 26 – November 4,  2017 School Matinees Tuesday October 31.

PLEASE COME ONLY ONE NIGHT. WE WILL BE SEEING MANY ACTORS SO IN THE EFFORT OF TIME, WE ASK THAT YOU COME ONLY ONE NIGHT. THERE IS NO ADVANTAGE TO COMING BOTH NIGHTS
We are audition actors: 13+
AUDITIONS WILL CONSIST OF:
– Reading from the script
– Director led improv exercises
– A movement audition. We will put you through you a small section of a exercises in small groups. You will then be asked to perform it in front of the production team as a group. Please remember to wear clothing that you can move in and appropriate shoes (i.e NO sandals, flip-flops, etc..)

Brief Synopsis

This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.

The Witches are nothing like the ones who wear pointed hats and fly on broomsticks – they look very much like ordinary women, which helps their deception. The play offers many opportunities for illusions and inventive puppetry. Humour is provided by the vulgar Jenkins family, whose son, Bruno, also becomes a mouse.

Cast

BOY
GRANDMOTHER
DISPLAY WITCH/ WITCH ONE/ VOICE OF MAID
LAWYER/ HOTEL DORRMAN/ HEAD WAITER
SAILOR/ DOCTOR/ MR. JENKINS/ HEAD CHEF
NURSE/ WAITRESS
TREE-HOUSE WITCH/ MRS. JENKINS/ WITCH TWO
BRUNO JENKINS/ FROG/ SECOND CHEF
GRAND HIGH WITCH
WAITER

If you have any questions please send them to patrick@siouxfallstheatre.com
 
Hope to see many of you there!

Winter Musical – TBA

November 1 and 2, 2017 at 7:00 pm.

Performance Dates: December 7 – 16, 2017 – These performances will be all days in this range!

PLEASE COME ONLY ONE NIGHT. WE WILL BE SEEING MANY ACTORS SO IN THE EFFORT OF TIME, WE ASK THAT YOU COME ONLY ONE NIGHT. THERE IS NO ADVANTAGE TO COMING BOTH NIGHTS
We are audition actors: 13+
AUDITIONS WILL CONSIST OF:
– singing 32 bars of contrasting piece one upbeat number in the style of the show and one more classical broadway ballad.  Please do not bring a song from the show. An accompanist will be provided for you.  You may bring your own accompanist or backing track (CD or MP3 device)  Please do not accompany yourself.
– Reading from the script
– Director led improv exercises
– A movement audition. We will put you through you a small section of a exercises in small groups. You will then be asked to perform it in front of the production team as a group. Please remember to wear clothing that you can move in and appropriate shoes (i.e NO sandals, flip-flops, etc..)
More info to come as we solidify the replacement for White Christmas.

Heathers – The Musical

November 1 and 2, 2017 at 7:00 pm.

Performance Dates: January 18 – February 4, 2018

PLEASE COME ONLY ONE NIGHT. WE WILL BE SEEING MANY ACTORS SO IN THE EFFORT OF TIME, WE ASK THAT YOU COME ONLY ONE NIGHT. THERE IS NO ADVANTAGE TO COMING BOTH NIGHTS
We are audition actors: 16+. This actors under 18 will require an adult to sign a permission slip to audition and accept a role.  This show contains mature themes and content.
AUDITIONS WILL CONSIST OF:
– singing 32 bars of contrasting piece one upbeat number in the style of the show and one more classical broadway ballad.  Please do not bring a song from the show. An accompanist will be provided for you.  You may bring your own accompanist or backing track (CD or MP3 device)  Please do not accompany yourself.
– Reading from the script
– Director led improv exercises
– A movement audition. We will put you through you a small section of a exercises in small groups. You will then be asked to perform it in front of the production team as a group. Please remember to wear clothing that you can move in and appropriate shoes (i.e NO sandals, flip-flops, etc..)

Brief Synopsis

Heathers The Musical is the darkly delicious story of Veronica Sawyer, a brainy, beautiful teenage misfit who hustles her way into the most powerful and ruthless clique at Westerberg High: the Heathers. But before she can get comfortable atop the high school food chain, Veronica falls in love with the dangerously sexy new kid J.D. When Heather Chandler, the Almighty, kicks her out of the group, Veronica decides to bite the bullet and kiss Heather’s aerobicized ass… but J.D. has another plan for that bullet.

Brought to you by the award-winning creative team of Kevin Murphy (Reefer Madness, “Desperate Housewives”), Laurence O’Keefe (Bat Boy, Legally Blonde) and Andy Fickman (Reefer Madness, She’s the Man). Heathers The Musical is a hilarious, heartfelt and homicidal new show based on the greatest teen comedy of all time. With its moving love story, laugh-out-loud comedy and unflinching look at the joys and anguish of high school, Heathers will be New York’s most popular new musical. Are you in, or are you out?

NOMINEE! 2014 Drama Desk Award for Outstanding Music
NOMINEE! 2014 Off Broadway Alliance Award for Best New Musical

Cast

VERONICA SAWYER – 17. She burns to be both cool and kind, but doesn’t know yet how to be both at the same time. Fierce sense of right and wrong, keen sense of ironic humor. Thinks she’s an old soul, but she’s still innocent enough to be blindsided by love/hormones (or shocked by cruelty). Voice: High belting required, up to Ab. Must have dynamic and stylistic range.
JD – 17. He is darkly charismatic, compelling, attractive, charming on the outside yet very damaged on the inside. Keen smarts and strong inventive comedy.  Voice: Strong, confident belt to at least an Ab, A preferable; wide emotional range.
HEATHER CHANDLER – 17. Richest, hottest, most magnetic, cruelest girl in town. Relishes power and wields it like a scalpel – no fear, no patience, no mercy.  Voice: Strong belt to F or higher preferred.  Mezzo for chorus.  NOTE:  In certain choral songs Chandler can switch parts with her other Heathers as needed.
HEATHER MCNAMARA – 17. Beautiful, innocent, stupid, can be mean on command if Heather Chandler orders it, but actually quite vulnerable and fearful. Voice: Strong belt to Db, D preferred. Soprano for chorus. NOTE: in certain choral songs Heather Mac and Duke can switch vocal parts as needed.
HEATHER DUKE – 17. Whipping-girl of the 3 Heathers. When she finally becomes Queen Bee she wields power like a bulldozer. Alto for chorus.  Voice: Strong belt to C, D preferred.  Alto for chorus. NOTE: in certain choral songs Heather Duke and Mac can switch vocal parts as needed.
MARTHA DUNNSTOCK – 17. Nicknamed “Martha Dumptruck”, the opposite of hot, confident, or popular. Huge and beautiful soul, optimistic even in the face of rejection. Voice: Strong belt to E or F, wide vocal expression.
RAM SWEENEY – 17, Linebacker. Big, insensitive to the feelings of others, ruled by appetites. Voice: Strong Baritone, belt to G, some Falsetto useful.
KURT KELLY – 17. Quarterback and Captain. Big, chiseled, rude, entitled, cocky. Mean, thinks he’s the brains in the friendship with Ram. Voice: Tenor, strong belt to Ab or A, some Falsetto. NOTE:  in certain songs Ram and Kurt can switch choral assignment if, say, Ram sings higher than Kurt.
RAM’S DAD/BIG BUD DEAN/COACH RIPPER – 40 to 45. Ram’s Dad: Former football player turned suburban Dad, has never outgrown his glory days in high school. Hates weakness, but capable of soul-searching when tragedy strikes. Also plays Big Bud Dean: JD’s single Dad. Big jolly personality that barely conceals the enormous rage bubbling just below the surface. Quite possibly a serial bomber. Also plays Coach Ripper:  Stalwart, man’s man; quick to defend his players. Voice: Baritone/Tenor – power Country/Gospel belt to Ab, higher welcome.  NOTE: Sometimes this actor has played Principal Gowan instead of Big Bud/Coach.
MS. FLEMING/VERONICA’S MOM – 45 to 50. Ms. Fleming: Aging hippie teacher, still yearning for the day the Age of Aquarius reaches Ohio. Hungry for the spotlight, resentful of entitled youth. Also plays Veronica’s Mom: easygoing, distant, yet capable of laying down the law. Voice: Great belt up to C, higher always welcome.
KURT’S DAD/VERONICA’S DAD/PRINCIPAL GOWAN – 30 to 45. Kurt’s Dad: Straight-laced, very conservative, also former football player. A simple guy, not book smart, you’d be happy to share a beer with him. Also plays Veronica’s Dad: Easygoing and distant. Voice: Strong Baritone/Tenor — power Country/Gospel belt to G, even higher better. Also plays Principal Gowan: Rumpled, burned out, hates conflict.  NOTE: Sometimes this actor has played Big Bud/Coach instead of Principal Gowan.
BOY 1 – Bitter Geek 16-18. A put-upon, bitter geek. Voice: Bari (up to F#) or Tenor (up to A).
BOY 2 – Blowdried Preppy 16-18. A blowdried 80’s preppy. Voice: Bass (up to E) or Bari (up to G#).
BOY 3 – Hipster Dork 16-18. Thinks he’s Ducky from ‘Pretty In Pink.’ Voice: Bari (up to F#) or Tenor (up to A).
GIRL 1 – Goth Girl 16-18. A sullen goth girl. Voice: Belt to at least C# (a Soprano up to high A/B is also a plus).
GIRL 2 – Stoner Chick 16-18. A fuzzyheaded stoner chick. Voice: Belt to at least C# (a Soprano up to high A/B is also a plus).
GIRL 3 – Young Republicanette 16-18. A tennis-playing, uptight Student Council type. Voice: Belt to at least C# (Soprano up to high A/B is also a plus).
If you have any questions please send them to patrick@siouxfallstheatre.com
 
Hope to see many of you there!

Peter and the Starcatcher

January 30 and 31, 2018 at 7:00 pm. School Matinee Tuesday, April 3, 2018.

Performance Dates: March 29 – April 8,  2018 .

PLEASE COME ONLY ONE NIGHT. WE WILL BE SEEING MANY ACTORS SO IN THE EFFORT OF TIME, WE ASK THAT YOU COME ONLY ONE NIGHT. THERE IS NO ADVANTAGE TO COMING BOTH NIGHTS
We are audition actors: 13+
AUDITIONS WILL CONSIST OF:
– Reading from the script
– Director led improv exercises
– A movement audition. We will put you through you a small section of a exercises in small groups. You will then be asked to perform it in front of the production team as a group. Please remember to wear clothing that you can move in and appropriate shoes (i.e NO sandals, flip-flops, etc..)
– This is a show with music, we will have a prepepared selection for you to sing. It will be made avaiable before auditions.  Playing an instrument is a plus.

Brief Synopsis

A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.

Featuring a dozen actors portraying more than 100 unforgettable characters, Peter and the Starcatcher uses ingenious stagecraft and the limitless possibilities of imagination to bring the story to life.

Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair… and the bonds of friendship, duty and love.

Cas

Black Stache

A notorious pirate, terrorizing the seven seas in search of a worthy adversary. Heartless, hirsute, and suspiciously well read. Partial to the poetical and theatrical, which causes him to behave quite flamboyantly.

  • Gender: Male
    Age: 30 to 50
    Molly Aster
    A young girl and Starcatcher apprentice who is taken aboard the Neverland as precious cargo. Curious and intelligent, she is only beginning to understand the confusing romantic longings that come with her age. She will risk anything for the sake of what is right.
    Gender: Female
    Age: 13 to 25
    Boy/peter
    A lonely and hardened orphan who doesn’t miss much. Nameless, homeless, and friendless at the beginning of the play and a hero by the end. He wants a home and a family more than anything, and dreams of a life of being free.
    Gender: Male
    Age: 13 to 25
    Grempkin
    The schoolmaster of St. Norbert’s Orphanage for Lost Boys. Mean and malodorous, he revels in keeping his boys in the dark and malnourished. Optional Doublings include: FIGHTING PRAWN; MACK; SÁNCHEZ.
    Gender: Male
    Age: 40 to 60
    Mrs. Bumbrake
    Molly’s nanny, a stereotypical British cad and outfitted with the duty of teaching Molly about womanhood. She still has enough charm in her age to attract a sailor or two. Optional Doubling as TEACHER.
    Gender: Male
    Age: 40 to 60
    Bill Slank
    The vicious orphaned captain of the Neverland. Does not possess the capacity to lead anyone but himself, which puts himself constantly in disaster. Greedy enough to send boys to their doom for the chance of gaining starstuff. Optional Doubling as HAWKING CLAM.
    Gender: Male
    Age: 35 to 55
    Smee
    Black Stache’s first mate. He is single-mindedly dedicated to his captain’s every whim.
    Gender: Male
    Age: 25 to 55
    Prentiss
    An orphan, ambitious, hyper articulate, and logical. He yearns to be leader, even when he knows in his heart that he’ll never be one. A bit of a blowhard with a touch of cowardice.
    Gender: Male
    Age: 13 to 25
    Alf
    A seafarer, an old sea dog proud of his tenure. His kind heart gives him an appeal to the feminine sensibility.
    Gender: Male
    Age: 50 to 65
    Lord Leonard Aster
    Molly’s father, a loyal subject to the Queen. The very model of a Victorian English gentleman, he is a faithful friend and a secret Starcatcher.
    Gender: Male
    Age: 40 to 60
    Captain Robert Falcon Scott
    Lord Aster’s old school friend, the captain of the Wasp, Britain’s fastest frigate. Lives with nautical bravura and heroic patriotism.
    Gender: Male
    Age: 35 to 45
    Ted
    An orphan obsessed with food. A natural performer with easy wit and quite poetic language.
    Gender: Male
    Age: 13 to 25
    Ensemble
    Sailors; Seamen; Seafarers; Orphans; Pirates; Mermaids; Mollusks; Narrators
If you have any questions please send them to patrick@siouxfallstheatre.com
 
Hope to see many of you there!

The Hunchback of Notre Dame

March 6 and 8, 2018 at 7:00 pm.

Performance Dates: May 4 – 20, 2018 School Matinee Tuesday, May 8 at 9:30 am

PLEASE COME ONLY ONE NIGHT. WE WILL BE SEEING MANY ACTORS SO IN THE EFFORT OF TIME, WE ASK THAT YOU COME ONLY ONE NIGHT. THERE IS NO ADVANTAGE TO COMING BOTH NIGHTS
We are audition actors: 13+.  This is a darker version then the Disney movie.
AUDITIONS WILL CONSIST OF:
– singing 32 bars of contrasting piece one upbeat number in the style of the show and one more classical broadway ballad.  Please do not bring a song from the show. An accompanist will be provided for you.  You may bring your own accompanist or backing track (CD or MP3 device)  Please do not accompany yourself.
– Reading from the script
– Director led improv exercises
– A movement audition. We will put you through you a small section of a exercises in small groups. You will then be asked to perform it in front of the production team as a group. Please remember to wear clothing that you can move in and appropriate shoes (i.e NO sandals, flip-flops, etc..)

Brief Synopsis

Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame showcases the film’s Academy Award-nominated score, as well as new songs by Menken and Schwartz. Peter Parnell’s new book embraces story theatre and features verbatim passages from Hugo’s gothic novel.

The musical begins as the bells of Notre Dame sound through the famed cathedral in fifteenth-century Paris. Quasimodo, the deformed bell-ringer who longs to be “Out There,” observes all of Paris reveling in the Feast of Fools. Held captive by his devious caretaker, the archdeacon Dom Claude Frollo, he escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful gypsy, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though – the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the gypsies – and it’s up to Quasimodo to save them all.

A sweeping score and powerful story make The Hunchback of Notre Damean instant classic

Cast

Claude Frollo

Archdeacon of Notre Dame Cathedral and the most powerful cleric in Paris, he is the reluctant caretaker of Quasimodo. He will do whatever it takes to rid the city of the gypsy “vermin,” even as he lusts after Esmeralda. Calculating, manipulative, and obsessive.

Gender: Male
Age: 40 to 50
Vocal range top: Bb4
Vocal range bottom: E2
Jehan Frollo
Claude’s reckless younger brother. With the gypsy Florika, he fathers Quasimodo, who he leaves in his brother’s care. Wild, passionate, and strong-willed.

Gender: Male

Age: 20 to 30
Vocal range top: Eb5
Vocal range bottom: F3
Florika
A gypsy and Quasimodo’s mother.
Gender: Female
Age: 20 to 30
Vocal range top: F#5
Vocal range bottom: E4
Father Dupin
A priest of Notre Dame and Claude and Jehan’s guardian.
Gender: Male
Age: 40 to 60
Vocal range top: A3
Vocal range bottom: C3
Quasimodo
The deformed bell-ringer of Notre Dame and Claude Frollo’s charge. Lonely and staunchly obedient to Frollo, he possesses a vivid imagination that brings to life the bells and gargoyles of the cathedral. Despite his shyness and uncertainty, he quickly befriends Esmeralda. Big-hearted, and brave when need be.
Gender: Male
Age: 20 to 30
Vocal range top: Bb5
Vocal range bottom: Bb2
Clopin Trouillefou

The clever and charismatic King of the Gypsies. An air of mystery surrounds Clopin, who often leaves the scene in a puff of smoke. As the master of ceremonies for the Feast of Fools, he is witty and playful, but he boasts a darker, serious nature when not performing for the crowd.

Gender: Male
Age: 30 to 40
Vocal range top: F#5
Vocal range bottom: D3
Captain Phoebus de Martin

Returning to Paris after serving in the war, Phoebus takes up his new position as Captain of the Cathedral Guard. Overconfident yet charming, this handsome, strong soldier makes the ladies swoon, yet his moral compass is also strong, and he openly defies the corrupted Frollo.

Gender: Male
Age: 25 to 40
Vocal range top: Ab4
Vocal range bottom: A2
Lieutenant Frederic Charlus
Lieutenant of the Cathedral Guard and loyal friend to Phoebus.
Gender: Male
Age: 20 to 30
Esmeralda
A beautiful and free-spirited gypsy who possesses the strong sense of justice and morality that Frollo lacks. Compassionate, she frees Quasimodo from the frenzied mob at the Feast of Fools and, against her better judgment, falls for the cocky Phoebus.
Gender: Female
Age: 20 to 30
Vocal range top: D5
Vocal range bottom: E3
King Louis XI
King of France, nicknamed the Prudent.
Gender: Male
Age: 40 to 50
Tribunal
A judicial officer.
Gender: Male
Age: 20 to 50
Vocal range top: E4
Vocal range bottom: G2
Madam
Owner of a brothel and safe haven for gypsies.
Gender: Female
Age: 35 to 50
Saint Aphrodisius
A stained-glass image that comes to life.
Gender: Male
Age: 30 to 50
Vocal range top: E4
Vocal range bottom: B3
Congregation
Gypsies, gargoyles, soldiers, and citizens of Paris.
Gender: Both
Choir
 Gender: Both
If you have any questions please send them to patrick@siouxfallstheatre.com
 
Hope to see many of you there!