One Man, Two Guvnors
January 9 and 11, 2018 at 7:00 pm.
Directed by Rebecca Bailey
Performance Dates: February 22 – March 4 2018.
We are looking forward to seeing you at auditions for “One Man, Two Guvnors”. This is a farcical play that is based on Goldoni’s “Servant of Two Masters”. It will be filled with big choices and lots of fun! You will only need to be at auditions one evening. The audition will consist of an improv led by the director based on some stock Commedia Del’Arte characters (don’t worry if you aren’t familiar with these!). Come prepared to move (wearing comfortable clothing and shoes)! Following the groups in movement there will also be readings from the script and a selection of music to sing provided at the audition. If you have a great British accent feel free to give it a go! Looking forward to seeing everyone this week!
Peter and the Starcatcher
January 30 and 31, 2018 at 7:00 pm. School Matinee Tuesday, April 17, 2018.
Directed by: RoseAnn Hoffland
Performance Dates: April 12 – April 22, 2018 .
A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.
Featuring a dozen actors portraying more than 100 unforgettable characters, Peter and the Starcatcher uses ingenious stagecraft and the limitless possibilities of imagination to bring the story to life.
Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair… and the bonds of friendship, duty and love.
A notorious pirate, terrorizing the seven seas in search of a worthy adversary. Heartless, hirsute, and suspiciously well read. Partial to the poetical and theatrical, which causes him to behave quite flamboyantly.
Gender: MaleAge: 30 to 50Molly AsterA young girl and Starcatcher apprentice who is taken aboard the Neverland as precious cargo. Curious and intelligent, she is only beginning to understand the confusing romantic longings that come with her age. She will risk anything for the sake of what is right.Gender: FemaleAge: 13 to 25Boy/peterA lonely and hardened orphan who doesn’t miss much. Nameless, homeless, and friendless at the beginning of the play and a hero by the end. He wants a home and a family more than anything, and dreams of a life of being free.Gender: MaleAge: 13 to 25GrempkinThe schoolmaster of St. Norbert’s Orphanage for Lost Boys. Mean and malodorous, he revels in keeping his boys in the dark and malnourished. Optional Doublings include: FIGHTING PRAWN; MACK; SÁNCHEZ.Gender: MaleAge: 40 to 60Mrs. BumbrakeMolly’s nanny, a stereotypical British cad and outfitted with the duty of teaching Molly about womanhood. She still has enough charm in her age to attract a sailor or two. Optional Doubling as TEACHER.Gender: MaleAge: 40 to 60Bill SlankThe vicious orphaned captain of the Neverland. Does not possess the capacity to lead anyone but himself, which puts himself constantly in disaster. Greedy enough to send boys to their doom for the chance of gaining starstuff. Optional Doubling as HAWKING CLAM.Gender: MaleAge: 35 to 55SmeeBlack Stache’s first mate. He is single-mindedly dedicated to his captain’s every whim.Gender: MaleAge: 25 to 55PrentissAn orphan, ambitious, hyper articulate, and logical. He yearns to be leader, even when he knows in his heart that he’ll never be one. A bit of a blowhard with a touch of cowardice.Gender: MaleAge: 13 to 25AlfA seafarer, an old sea dog proud of his tenure. His kind heart gives him an appeal to the feminine sensibility.Gender: MaleAge: 50 to 65Lord Leonard AsterMolly’s father, a loyal subject to the Queen. The very model of a Victorian English gentleman, he is a faithful friend and a secret Starcatcher.Gender: MaleAge: 40 to 60Captain Robert Falcon ScottLord Aster’s old school friend, the captain of the Wasp, Britain’s fastest frigate. Lives with nautical bravura and heroic patriotism.Gender: MaleAge: 35 to 45TedAn orphan obsessed with food. A natural performer with easy wit and quite poetic language.Gender: MaleAge: 13 to 25EnsembleSailors; Seamen; Seafarers; Orphans; Pirates; Mermaids; Mollusks; Narrators
The Hunchback of Notre Dame
March 6 and 8, 2018 at 7:00 pm.
Directed by Frank Pope & Musically Directed by Shane Wuebben
Performance Dates: May 4 – 20, 2018 School Matinee Tuesday, May 8 at 9:30 am
Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame showcases the film’s Academy Award-nominated score, as well as new songs by Menken and Schwartz. Peter Parnell’s new book embraces story theatre and features verbatim passages from Hugo’s gothic novel.
The musical begins as the bells of Notre Dame sound through the famed cathedral in fifteenth-century Paris. Quasimodo, the deformed bell-ringer who longs to be “Out There,” observes all of Paris reveling in the Feast of Fools. Held captive by his devious caretaker, the archdeacon Dom Claude Frollo, he escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful gypsy, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though – the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the gypsies – and it’s up to Quasimodo to save them all.
A sweeping score and powerful story make The Hunchback of Notre Damean instant classic
Archdeacon of Notre Dame Cathedral and the most powerful cleric in Paris, he is the reluctant caretaker of Quasimodo. He will do whatever it takes to rid the city of the gypsy “vermin,” even as he lusts after Esmeralda. Calculating, manipulative, and obsessive.
The clever and charismatic King of the Gypsies. An air of mystery surrounds Clopin, who often leaves the scene in a puff of smoke. As the master of ceremonies for the Feast of Fools, he is witty and playful, but he boasts a darker, serious nature when not performing for the crowd.
Returning to Paris after serving in the war, Phoebus takes up his new position as Captain of the Cathedral Guard. Overconfident yet charming, this handsome, strong soldier makes the ladies swoon, yet his moral compass is also strong, and he openly defies the corrupted Frollo.